For the “Degenerate Art” exhibition sponsored by Hitler, the Nazis confiscated modern art from museums in 1937. The works were ridiculed before they were destroyed. The impact of the purges can be felt to this day.
A true icon of pacifism and class struggle as well as one of the most recognized German artists of the 20th century, Käthe Kollwitz was born 150 years ago. DW takes a look at her life and art.
The New York Philharmonic’s outgoing music director Alan Gilbert was named Friday to lead the NDR Elbphilharmonie Orchestra in Hamburg, whose ambitions are rising with a landmark new building.
The members of the famous Thomaner boys’ choir in Leipzig have been practicing Mendelssohn all the time – even outside of official rehearsals, says cantor Gotthold Schwarz. At the opening concert of the Bachfest Leipzig this past weekend, he conducted, among others, Felix Mendelssohn Bartholdy’s Choral Symphony Nr. 2, a work that was particularly popular […]
The international art show opens in Kassel, a month after its first part set in Athens debuted. Political works reflecting the world’s current tensions grab the attention. Here’s a tour of the highlights.
In the south of Berlin, there is a massive pillar; one of the few remnants of the National Socialists’ attempts to make Berlin the capital of the Thousand-Year Reich, equaled only by Egypt, Babylon, and Rome, it now sits amongst shabby, peach-colored residential blocks.
The two most important prizes at this year’s Venice Biennale have gone to Germany for best exhibition pavilion and artist. The exhibition prize is considered one of the world’s most prestigious contempory art events.
Does expanding art fairs abroad constitute a form of colonialism? The director of Germany’s largest art fair, Art Cologne, accused Art Basel of putting profit over art, while planning his own expansion to Berlin.
How on earth did humans come up with the idea of a bunny laying eggs for a Christian holiday? This viral German advert has a compelling theory. The Local reports.
The message in Nobel Prize-winning playwright Elfriede Jelinek’s one-woman monologue is clear: ‘The king is guilty.’ The Austrian artist plays with pop culture in the work that premiered in Trump’s hometown: New York.